Leonard Reed (1907-2004)

July 23, 2010 
/ Contributed By: Roger Hardaway

Leonard Reed

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Leonard Reed, a noted dancer and entertainment businessman, co-created the famous Shim Sham Shimmy tap routine that has been replicated for centuries by tappers the world over. He was also associated with Joe Louis during the heavyweight boxer’s efforts to break down golf’s color barrier.

Reed was born in Lightning Creek near Nowata, Indian Territory, on January 7, 1907, to a woman who was half African American and half Native American (Choctaw and Cherokee). Reed was orphaned at the age of two when his mother died of pneumonia and was raised by a series of relatives, foster parents, and guardians in Kansas City, Missouri.

As a teenager, Reed began performing the Charleston dance at carnivals in the Kansas City area.  His high school principal helped him gain entrance into Cornell University, but Reed dropped out to become a professional dancer. The blue-eyed Reed and another light-skinned African American named Willie Bryant (1908-1964) developed a successful vaudeville act, “Brains as Well as Feet,” passing as Caucasians so they could perform for all-white audiences. Together, they closed their acts with the Shim Sham Shimmy, a 32-bar tap routine. In the early 1930s, Reed and Bryant were barred from white clubs when their African American ancestry became common knowledge. Soon thereafter, the duo broke up, and Reed began producing shows for Black performers at famous venues like the Cotton Club and the Apollo Theater.

In the late 1940s, Reed became the private secretary of heavyweight boxer Joe Louis. Both men won several tournaments on the United Golf Association circuit, an all-Black organization that staged professional contests when African Americans were barred from the Professional Golfers’ Association of America (PGA). Louis helped force the PGA to abandon the “Caucasians Only” clause in its charter in 1961, but under a sponsor’s exemption, he was able to gain entry into a few earlier PGA events, accompanied by Reed. Reed is often credited with being the first Black player to have taken part in a PGA tournament when, in the mid-1940s, he was given a tour card by an official who thought Reed was white.

For the last several years of his life, Reed taught dance and pursued various musical interests at his studio in Los Angeles. In 2000, he received a lifetime achievement award from the American Music Awards and two years later received an honorary Doctor of Performing Arts degree from Oklahoma City University. He died at the age of 97 in Covina, California, of heart failure on April 5, 2004, and is buried in Los Angeles. He was married for 52 years and had a daughter, granddaughter, and two great-grandchildren.

Author Profile

Roger Hardaway is professor of history at Northwestern Oklahoma State University. A native of Tennessee, he majored in both history and political science as an undergraduate at Middle Tennessee State University. He holds masters degrees in history from New Mexico State University and the University of Wyoming and in political science from Eastern New Mexico University. He received a J.D. from the University of Memphis and the D.A. in history from the University of North Dakota. He has concentrated much of his research and writing on African Americans in the American West; he is the author of A Narrative Bibliography of the African-American Frontier: Blacks in the Rocky Mountain West, 1535-1912 and the coeditor of African Americans on the Western Frontier.

CITE THIS ENTRY IN APA FORMAT:

Hardaway, R. (2010, July 23). Leonard Reed (1907-2004). BlackPast.org. https://new.blackpast.org/african-american-history/reed-leonard-1907-2004/

Source of the Author's Information:

Rusty Frank, TAP! The Greatest Tap Dance Stars and Their Stories
1900-1955
(New York: W. Morrow, 1990); Frank Cullen, Florence Hackman
and Donald McNeilly, Vaudeville, Old and New: An Encyclopedia of
Variety Performers in America
(New York: Routledge, 2007); “Tap Dance
Pioneer, Producer,” Los Angeles Times (April 9, 2004); Danny Walker,
“World Renowned Nowata Dancer’s Life Left Huge Legacy,” Nowata Star
(April 21, 2004).

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