Alvin Ailey Dance Theater

1928 – 2015

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The Alvin Ailey American Dance Theater began in 1958 in New York City, New York as a repertory company of seven African American dancers performing both Ailey’s work and also classic modern pieces. They were soon acknowledged as the preeminent dance company articulating African American themes. By 1970 the Ailey Company was internationally recognized as an important American cultural institution.

In the company’s first years, all performers were African American, reflecting its founder’s commitment to provide a place where black dancers could avoid pervasive discrimination. However, in 1963, the troupe became racially integrated, as Ailey protested against quotas and discrimination of any kind. He told the New York Times, “I am trying to show the world that we are all human beings…”

The company’s defining repertoire focuses on themes reflecting both general human longings and also particular elements of black experience set to original scores ranging from Charlie Byrd’s blues to Duke Ellington’s compositions to unique interpretations of traditional gospel music.

The choreography of Ailey, and his colleagues Judith Jamison and Ulysses Dove, is highly emotional and theatrical, blending elements of modern dance, ballet, jazz dance, and Latino and African genres. “Cry,” which Ailey created for Jamison in 1971 as a tribute to black women’s fortitude, exemplifies this approach. The dancer begins by unwinding a beautiful head wrap, which she then uses to scrub floors, before rising and eventually dancing toward liberation.

Like many other African American performers, Ailey and his dancers dramatically enhanced their visibility in the USA by touring abroad, beginning in the 1960s. The company faced financial challenge in the 1970s and 1980s, yet they emerged as an enduring cultural institution beloved by millions of people throughout the world.

In 2005, current Ailey dancers, along with many alumni, donned costumes from their signature piece, Revelations and paraded down New York streets to their dazzling, permanent headquarters on West 55th Street.

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CITE THIS ENTRY IN APA FORMAT:

Alexander, O. (2024, April 06). Beny Jene Primm (1928-2015). BlackPast.org.
https://www.blackpast.org/african-american-history/beny-jene-primm-1928-2015/


SOURCE OF THE AUTHOR’S INFORMATION:

“Dr. Beny J. Primm Left a Long Legacy in Medicine, Public Health, and Social Justice,”
https://vineyardgazette.com/obituaries/2015/10/29/dr-beny-j-primm-left-long-legacy-medicine-public-health-and-social-justice;
“Dr. Beny Jene Primm, MD: May 21, 1928 – Oct 16, 2015,” https://www.jfosterphillips.com/obituary/3354481;
Otis D. Alexander, (2019) Dynasty: Blacks in White Coats, (New York: Beyond the Bookcase), pp. 110, 111, 166, and 167.

Further Reading

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February 20, 2023 / Contributed by: Otis Alexander

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February 20, 2023 / Contributed by: Otis Alexander

Your Title Goes Here

Your content goes here. Edit or remove this text inline or in the module Content settings. You can also style every aspect of this content in the module Design settings and even apply custom CSS to this text in the module Advanced settings.

February 20, 2023 / Contributed by: Otis Alexander