Alice Childress (1916-1994)

November 14, 2009 
/ Contributed By: Michelle Granshaw

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Alice Childress|

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Alice Childress, playwright, novelist, actor, and screenwriter, was born Alice Herndon in Charleston, South Carolina.  Her parents separated in 1925 and Childress moved to the Harlem, New York home of her grandmother Eliza Campbell White, who encouraged her to write and exposed her to the arts.  Leaving high school after only two years, Childress worked low-paying jobs while becoming involved in the Harlem theatre scene.  In the 1930s, she married and divorced Alvin Childress, an actor, and they had a daughter, Jean R. Childress.  Childress married musician Nathan Woodard in 1957.

In 1941, she joined Harlem’s American Negro Theatre (ANT) where she worked as an actress, stage director, personnel director, and costume designer for 11 years.  While at ANT, she fought for union off-Broadway contracts that would assure advanced pay for actors.  A respected performer, Childress appeared in a variety of New York productions, including Natural Man (1941), Rain (1948), and The Emperor’s Clothes (1953).  Anna Lucasta (1944) transferred to Broadway and earned Childress a Tony Award nomination.

In 1949, she wrote her first play, Florence.  This early play reflects many themes that would characterize Childress’s later writings, including black female empowerment, interracial politics, working-class life, and attacks on black stereotypes. With the Off-Broadway union performances of Just a Little Simple (1950) and Gold through the Trees (1952), Childress became the first professionally produced black female playwright.  At the end of the 1955-1956 Off-Broadway season, Trouble in Mind won an Obie Award for Best Original Play, making Childress the first black woman to be awarded the honor. By the end of her career, she had written over a dozen plays.

One of her most famous works, A Hero Ain’t Nothin’ but a Sandwich (1973) helped launch her career as a young adult novelist. The novel confronts difficult social issues, such as racism, drug use, teen pregnancy, and homosexuality.  She adapted her novel into a screenplay in 1978. Childress wrote two other young adult novels as well as an adult novel and collection of short stories.

Occasionally, her writings on black culture and interracial relations caused controversy. Some networks refused to televise a 1969 production of Wine in the Wilderness and the Public Theatre’s 1973 production of Wedding Band: A Love/Hate Story in Black and White.  Some school districts and libraries banned A Hero Ain’t Nothin’ but a Sandwich after it was released.

Before her death in 1994, Childress received various awards and grants, including a Rockefeller grant, a graduate medal from the Radcliffe Institute for Independent Study, the Radcliffe Alumnae Graduate Society Medal for Distinguished Achievement, and a Lifetime Career Achievement Award from the Association for Theatre in Higher Education (ATHE).

Author Profile

Michelle Granshaw is an Associate Professor and Director of Graduate Studies in the Department of Theatre Arts at the University of Pittsburgh. She is affiliate faculty with the Global Studies Center, the European Union Center of Excellence/European Studies Center, Gender, Sexuality, and Women Studies Program, and Cultural Studies. At Pitt, she teaches in the BA, MFA, and PhD programs and mentors student dramaturgs. Granshaw was honored to receive the University of Pittsburgh’s 2021 Dietrich School of Arts and Sciences Excellence in Graduate Mentoring Award.

As a cultural historian, her research focuses on disenfranchised, and migrant communities and how they shaped and were influenced by the embodied and imaginative practices within theatre and performance. Her research interests include U.S. theatre, popular entertainment, and performance; performances of race, ethnicity, gender, and class; global and diasporic performance; and historiography.

Granshaw’s articles have appeared in Theatre Survey, Nineteenth Century Theatre and Film, Popular Entertainment Studies, Journal of American Drama and Theatre, Theatre Topics, and the New England Theatre Journal. In 2014, Granshaw was awarded the American Theatre and Drama Society Vera Mowry Roberts Award for Research and Publication for her Theatre Survey (January 2014) article “The Mysterious Victory of the Newsboys: The Grand Duke Theatre’s 1874 Challenge to the Theatre Licensing Law.” Her book, Irish on the Move: Performing Mobility in American Variety Theatre (University of Iowa Press, 2019) argues that nineteenth-century American variety theatre formed a crucial battleground for anxieties about mobility, immigration, and ethnic community in the United States. It was named a finalist for the 2019 Theatre Library Association George Freedley Memorial Book Award and supported by grants and fellowships including the Hibernian Research Award from the Cushwa Center for the Study of American Catholicism at the University of Notre Dame, American Theatre and Drama Society Faculty Travel Award, and Harry Ransom Center Research Fellowship. “Inventing the Tramp: The Early Tramp Comic on the Variety Stage,” part of Irish on the Move’sfirst chapter, also won the 2018 Robert A. Schanke Theatre Research Award at the Mid-America Theatre Conference. Currently, she is working on a new monograph titled The Fight for Desegregation: Race, Freedom, and the Theatre After the Civil War. In November 2022, she received an American Society for Theatre Research Research Fellowship in support of the project.

Granshaw currently serves on the Executive Board for the American Theatre and Drama Society (term 2021-5) and co-organizes ATDS’s First Book Bootcamp and Career Conversations series.

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CITE THIS ENTRY IN APA FORMAT:

Granshaw, M. (2009, November 14). Alice Childress (1916-1994). BlackPast.org. https://new.blackpast.org/african-american-history/childress-alice-1916-1994/

Source of the Author's Information:




La Vinia
Delois Jennings, Alice Childress (New
York: Twayne, 1995); Elizabeth Brown-Guillory, "Alice Childress," in Black Women in America, second edition,
ed. Darlene Clark Hine (New York: Oxford University Press, 2005); Mari Evans,
ed., Black Women Writers 1950-1980
(New York: Doubleday, 1984).

Further Reading