African Company / African Grove Theatre

February 11, 2007 
/ Contributed By: Anthony Duane Hill

Colored drawing of James Hewlett as Richard the Third

Public Domain Image

The African Company was the first known black theatre troupe. In 1816, William Henry Brown (1815-1884), a retired West Indian steamship steward, acquired a house on Thomas Street in lower Manhattan, New York. He offered a variety of instrumental and vocal entertainments on Sunday afternoons in his tea garden, attracting a sizable audience from the five boroughs of New York City.

In 1821, Brown moved to Mercer and Bleeker Street into a two-story house with a spacious tea garden. He converted the second floor into a 300-seat theatre and renamed the enterprise The African Grove Theatre. Opening the season with a performance of Richard III (21 September 1821), the company mounted productions ranging from Shakespeare, to pantomime, to farce. Brown followed with Tom and Jerry; or, Life in London; The Poor Soldier; Othello; Don Juan; and Obi, or, Three-Finger’d Jack.

Brown also wrote and staged the first African American play, The Drama of King Shotaway (1823), a historical drama based on the Black Carib war in St. Vincent in 1796 against both English and French settlers. The Company’s principal actors were James Hewlett (1778-1836), the first African American Shakespearean actor; and, a young teenager, Ira Aldridge (1807-1865). They learned their craft while sitting in the balcony of Stephen Price’s landmark Park Theatre (New York City) observing the acting styles of European transports in Shakespearian plays. As AGT’s popularity grew, it also became a diversion and meeting place for white patrons.

The company lasted three years before it was burned down in 1823 under inauspicious circumstances. Shortly thereafter, Ira Aldridge, by now one of the Company’s leading performers, sailed to London where he was free to practice his craft as a respected professional. Aldridge reached the pinnacle of acclaim internationally as a stage actor for over 42 years throughout the capitals of Europe.

Author Profile

Dr. Anthony D. Hill, writer, director, administrator, and associate professor of drama in the Department of Theatre at The Ohio State University, has also taught at Vassar College, University of California at Santa Barbara. He has concentrated on previously marginalized theatre practices, African American and American theatre history, and performance theory and criticism. He currently focuses on the life and works of August Wilson, and African American Cinema, and Black masculinity in the works of African American male playwrights. Hill is author with Douglas Q. Barnett of Historical Dictionary of African American Theater (Scarecrow Press, 2008, 642 pgs.). His book Pages from the Harlem Renaissance: A Chronicle of Performance (Peter Lang, 1996, 186 pgs.) is now in its third reprint. He is featured in Whose Who in Black Columbus (2006 ed.). His essays have appeared in such journals as Text and Presentation, Journal of the Comparative Drama Conference; Black Studies: Current Issues, Enduring Questions; and African American Review (formerly Black American Literature Forum). He contributed historical articles to Dr. Quintard Taylor’s on-line Pursuing the Past in the Twenty-first Century; a book review in The Journal of the Southern Central Modern Language Association; and was contributing editor for History of the Theatre (9th ed.), Theatre Studies, and Elimu. Hill received degrees in theatre at the University of Washington (B.A.), Queens College (M.A.), and in performance studies at New York University (Ph.D.).

CITE THIS ENTRY IN APA FORMAT:

Hill, A. (2007, February 11). African Company / African Grove Theatre. BlackPast.org. https://new.blackpast.org/african-american-history/african-company-african-grove-theatre/

Source of the Author's Information:

Errol Hill, Shakespeare in Sable: A History of Black Shakespearean Actors (Amherst: The University of Massachusetts Press, 1984); Anthony Duane Hill, ed., An Historical Dictionary of African American Theater (Prevessin, France: Scarecrow Press, 2008).

Further Reading