Carmen McRae (1920-1994)

August 27, 2010 
/ Contributed By: Michelle Granshaw

Carmen McRae|

Carmen McRae|

Courtesy James Kriegsmann

Carmen McRae, a jazz singer and songwriter, was born on April 8, 1920, in Harlem, New York. Her father, Osmond Llewelyn McRae, was born in Santa Cruz, Jamaica, in 1891; he moved from Jamaica to Costa Rica to Cuba and then to New York City, where Carmen was born to Osmond and his second wife Evadne (originally Evadne Gayle). Oscar McRae owned a health club at the McAlpin Hotel in Harlem. McRae learned to play piano at a young age and she won an amateur singing contest at the Apollo Theatre around 1939. As a teenager, she befriended musician and songwriter Irene Kitching, who helped McRae become involved in the Harlem jazz scene. McRae graduated from Julia Richman High School in 1938. She achieved her first notoriety the following year when she wrote the song “Dream of Life,” and Billie Holiday recorded it for the Vocalion/ Okeh label.

In the early 1940s, McRae moved to Alabama and married jazz drummer Kenny Clarke, whom she would later divorce.  In 1941, McRae moved to Washington, D.C., where she worked for the government but returned to New York City in 1943. There, she resumed her career, singing with Benny Carter, Earl Hines, Count Basie, and Mercer Ellington’s bands.  Around this time, she also worked in the chorus at Club Harlem in Atlantic City. Her singing reflected the influences of Billie Holiday and Sarah Vaughan. After spending several years singing in Chicago, Illinois, Minton’s Playhouse in New York hired her as a pianist and then as a member of Tony Scott’s band.

During the early 1950s, McRae recorded songs on the Stardust, Venus, and Bethlehem labels, but in 1955, she signed with the Decca recording label, which led to her national success. While working for Decca, she would record “Skyliner,” “By Special Request,” “After Glow,” “Something to Swing About,” “Suppertime,” “Torchy,” and “Blue Moon.” In 1956, she married her second husband, bassist Ike Isaacs, but that marriage also soon ended in divorce.   In the late 1960s, McRae moved to California to be near family.

For the next thirty years, McRae sang throughout the world and continued to record albums, including tributes to Billie Holiday, Thelonious Monk, and Sarah Vaughan.  Throughout her career, she won various awards and recognitions, including Down Beat’s Best New Female Singer (1954), six Grammy award nominations, an award from the NAACP, and the National Endowment for the Arts’ National Jazz Masters Fellowship Award.

A heavy smoker, McRae suffered from respiratory failure in May 1991.  In October 1994, she had a stroke, which led to a coma. Carmen McRae died on November 10, 1994, in Beverly Hills, California.

Author Profile

Michelle Granshaw is an Associate Professor and Director of Graduate Studies in the Department of Theatre Arts at the University of Pittsburgh. She is affiliate faculty with the Global Studies Center, the European Union Center of Excellence/European Studies Center, Gender, Sexuality, and Women Studies Program, and Cultural Studies. At Pitt, she teaches in the BA, MFA, and PhD programs and mentors student dramaturgs. Granshaw was honored to receive the University of Pittsburgh’s 2021 Dietrich School of Arts and Sciences Excellence in Graduate Mentoring Award.

As a cultural historian, her research focuses on disenfranchised, and migrant communities and how they shaped and were influenced by the embodied and imaginative practices within theatre and performance. Her research interests include U.S. theatre, popular entertainment, and performance; performances of race, ethnicity, gender, and class; global and diasporic performance; and historiography.

Granshaw’s articles have appeared in Theatre Survey, Nineteenth Century Theatre and Film, Popular Entertainment Studies, Journal of American Drama and Theatre, Theatre Topics, and the New England Theatre Journal. In 2014, Granshaw was awarded the American Theatre and Drama Society Vera Mowry Roberts Award for Research and Publication for her Theatre Survey (January 2014) article “The Mysterious Victory of the Newsboys: The Grand Duke Theatre’s 1874 Challenge to the Theatre Licensing Law.” Her book, Irish on the Move: Performing Mobility in American Variety Theatre (University of Iowa Press, 2019) argues that nineteenth-century American variety theatre formed a crucial battleground for anxieties about mobility, immigration, and ethnic community in the United States. It was named a finalist for the 2019 Theatre Library Association George Freedley Memorial Book Award and supported by grants and fellowships including the Hibernian Research Award from the Cushwa Center for the Study of American Catholicism at the University of Notre Dame, American Theatre and Drama Society Faculty Travel Award, and Harry Ransom Center Research Fellowship. “Inventing the Tramp: The Early Tramp Comic on the Variety Stage,” part of Irish on the Move’sfirst chapter, also won the 2018 Robert A. Schanke Theatre Research Award at the Mid-America Theatre Conference. Currently, she is working on a new monograph titled The Fight for Desegregation: Race, Freedom, and the Theatre After the Civil War. In November 2022, she received an American Society for Theatre Research Research Fellowship in support of the project.

Granshaw currently serves on the Executive Board for the American Theatre and Drama Society (term 2021-5) and co-organizes ATDS’s First Book Bootcamp and Career Conversations series.

CITE THIS ENTRY IN APA FORMAT:

Granshaw, M. (2010, August 27). Carmen McRae (1920-1994). BlackPast.org. https://new.blackpast.org/african-american-history/mcrae-carmen-1920-1994/

Source of the Author's Information:

Leslie Gourse, Carmen McRae: Miss Jazz (New York: Billboard Books,
2001); Robbie Clark, “Carmen McRae,” in Black Women in America, second
edition, ed. Darlene Clark Hine (New York: Oxford University Press,
2005); Barry Kernfeld, “Carmen McRae,” African American National
Biography
, vol. 5, eds. Henry Louis Gates, Jr. and Evelyn Brooks
Higginbotham (New York: Oxford University Press, 2008).

Further Reading