McCoy Tyner (1938-2020)

June 22, 2020 
/ Contributed By: Robert Mikell

|McCoy Tyner

McCoy Tyner

Courtesy Gisle Hannemyr (CC BY-SA 3.0)|

Alfred McCoy Tyner was a Jazz pianist who was best known for his association with the John Coltrane Quartet. Tyner held a strong commitment to the acoustic piano, while other musicians adopted the electric keyboards and synthesizers. He was left-handed and played with a low bass left hand while raising his arm high above the keyboard, for an emphatic attack. His right hand was staccato. Over the years he became one of the most influential and recognizable Jazz pianists in history.

Tyner was born in Philadelphia to parents Jarvis and Beatrice Tyner on December 11, 1938. At age 13, he began taking piano lessons. His mother ran a beauty salon out of their home and the family had a piano in the home, which was unusual in that neighborhood. In a 1963 interview with DownBeat magazine, Tyner stated, “Bud Powell and his brother were living just around the corner for me in Philadelphia,” further stating that, “but they didn’t have a piano in their apartment, Bud came to my mother’s house to play.”

Tyner studied at West Philadelphia Music School and later at the Granoff School of Music where he learned classical theory and harmony. During his high school years, Tyner began playing professionally in and around Philadelphia and quickly became a part of the jazz scene. As a teen, he led his own group, the Houserockers.

In 1959, Tyner joined trumpeter Art Farmer and saxophonist Benny Golson in a group called The Jazztet and made his debut recording, Meet the Jazztet In 1961. That same year, Tyner played on Coltrane’s album My Favorite Things (1961). Six months later he joined the John Coltrane Quartet that included Jimmy Garrison and Elvin Jones. Between 1961 and 1965, the band toured almost nonstop while recording the albums Coltrane Live at the Village Vanguard (1962), Ballads (1963), Live at Birdland (1964), Crescent (1964), and The John Coltrane Quartet Plays (1965), all on the Impulse label.

As Coltrane’s style began to change, especially with added percussion, Tyner embarked upon a solo career in 1965, feeling that his piano playing was being drowned out. Tyner first produced a series of post-bop albums on the Blue Note label from 1967 to 1970 that included The Real McCoy (1967), Tender Moments (1967), Time for Tyner (1968), Expansions (1968), and Extensions (1970). Next he signed with Milestone in 1972 and recorded albums Sahara and Echoes of a Friend (1972), Enlightenment (1973), and Fly with the Wind (1976). While at Blue Note and Milestone Tyner incorporated African and Asian elements in his music, playing such instruments as the koto, flute, harpsichord, percussion, celeste—instruments rarely heard in Jazz at that time.

During the 1980s and 1990s, Tyner formed a trio that included Avery Sharpe on bass and Louis Hayes on drums. With Blue Note he recorded Revelations (1988) and Soliloquy (1991). After signing with Telarc (1999) he recorded with several trios, and in 2004 released the Grammy Award Beat Instrumental Jazz Album Illuminations (2005).

Tyner was named a 2002 NEA Jazz Master. He won five Grammy Awards and was awarded an Honorary Doctor of Music degree from Berklee College of Music in Boston, Massachusetts. On March 6, 2020, Tyner died at his home in New Jersey on March 6, 2020 at the age of 81. He was survived by his wife Aisha, his son, Nurudeen, three grandchildren, and siblings Jarvis and Gwendolyn-Yvette.

Author Profile

Dr. Robert S. Mikell is a native of New Orleans, Louisiana, where he graduated from the Booker T. Washington High School. He holds an Associate of Arts degree in Business Administration from Fresno City College, a Bachelor’s and Master’s degree in Business Administration from California State University, Fresno, and the Doctor of Education degree from the University of Southern California. Dr. Mikell served as a member of the faculty at California State University, Fresno from 1972 until he retired in 2007 as a Full Professor, during which time he taught courses in Ethnic Studies (African American Studies) and in the School of Business (Management and Marketing). He served twelve years (1978-90) as the Chairperson of the Ethnic Studies Program. In 2007, the university bestowed on him the honor of Professor Emeritus of Africana Studies.

Dr. Mikell was the founder of the Africana Studies Research Center and served as the Director. His teaching emphasis was in the area of socio-cultural dynamics which included courses in race relations, cultural diversity, and cultural music, as well as economic and business development. He developed and taught courses on African American Music and “The Life and Times of Dr. Martin Luther King, Jr.,Principles of Marketing, Organizational Behavior, and other courses. He served as co-chair of the MLK, Jr Monument Committee, which commissioned the life-size statue of Dr. King located in the University’s Peace Garden. Currently, he is serving on the President’s Nelson Mandela Project Monument Committee at Fresno State.

Dr. Mikell’s research interest and consultation works are in the fields of minority business development, migration patterns, early New Orleans Jazz, innovative teaching through distance learning for which he received a FIFSE grant in the amount of $243,000, and the history of the Black town Allensworth (a published work). He received funding for several of research projects that involved introducing students to research methodology. Dr. Mikell wrote numerous grant proposals that received funding which were designed to enhance the well-being of all students. Other projects funded were, The Evolution of African American Music which included weekend courses and lectures/demonstrations with live music performed by local musicians.

Dr. Mikell has written a manuscript titled, “Peter Davis: The First Music Master of the Great Louis Armstrong.” his most recent article is The Legacy of Louis Armstrong’s Music Teacher Peter Davis, The Syncopated Times, July 27, 2019. Several of his other publications can be found on the academic website, blackpast.org. His recent speaking engagements include: “The Meaning of Juneteenth”, Allensworth State Historic Park, June 18, 2022; “African American History: the Antebellum South and Reconstruction Era”, Allensworth State Historic Park, Oct. 8, 2022; and “Peter Davis, the Music Master of Louis Armstrong”, Satchmo SummerFest, New Orleans, Aug 7, 2022.

Dr. Mikell has distinguished himself through numerous community and University awards. He devoted himself to serving on a variety of committees at the Department, School, and University levels. He is a co-founder and former board member of Valley Small Business Development Corporation and was an elected official (seven years) for the Educational Employees Credit Union, where he served as the Chairperson of the Supervisory Committee. Dr. Mikell presently volunteers as a Jazz Host at KFSR 90.7, FM streaming at kfsr.org, Red Beans and Jazz, Fridays, 9:00am to 12:00pm. His program theme song is “Hello Dolly” song by Louis Armstrong.

CITE THIS ENTRY IN APA FORMAT:

Mikell, R. (2020, June 22). McCoy Tyner (1938-2020). BlackPast.org. https://new.blackpast.org/african-american-history/mccoy-tyner-1938-2020/

Source of the Author's Information:

“McCoy Tyner,” Biography.com, http://www.bluenote.com/artist/mccoy-tyner/; Ben Raliff, “McCoy Tyner, Jazz Piano Powerhouse, is Dead at 81,” New York Times, March 6, 2020, https://www.nytimes.com/2020/03/06/arts/music/mccoy-tyner-dead.html.

Further Reading