Antoine “Fats” Domino (1928-2017)

1928 – 2015

[related_author_acf]

Antoine “Fats” Domino, an early rock and roll musician, was born in New Orleans, Louisiana, on February 26, 1928, to Antoine Domino, a former plantation worker, and Donatile Gros, a Creole of light complexion. Fats, as he was soon called because of his weight, was raised in a large family of seven children, including his four brothers and two sisters. From a young age, Fats was influenced by his father, a musician who played the banjo and fiddle.

At the age of ten, Domino began to play an old piano the family purchased, learning the instrument from his older brother-in-law Harrison Werrett, who had played in a New Orleans band. Fats’ passion for and expertise with the piano continued to grow. When he was fourteen, he quit school and went to work as a musician. Learning songs from jukeboxes, Domino began playing at local bars and nightclubs.

In the 1940s, he joined trumpeter Dave Bartholomew’s band.  With Bartholomew’s help, Domino got a deal with Imperial Records, where he recorded his first hit, “The Fat Man,” in 1949. The song sold a million copies nationally and is widely regarded as the first rock and roll song to sell at that level. During the early 1950s, Domino, with Bartholomew as co-writer and producer, continued to capitalize on the rising popularity of rock and roll. As one of its earliest artists, he began to make a name for himself with “Goin’ Home” (1952) and “Going to the River” (1953). Both records sold over a million copies.

Through the early 1950s, Domino’s fame was primarily in the African American music scene. His big breakthrough into the general (white) record market came with his Top 10 hit “Ain’t That a Shame” in mid-1955. This song was quickly covered (recorded) by Pat Boone, which helped to establish Fats Domino as a name for white teenagers.

Throughout the next five years, Domino released such hits as “I’m in Love Again,” “Blueberry Hill,” and “Blue Monday,” all in 1956. His “I’m Walkin” and “Whole Lotta Loving” in 1957 and 1958, respectively, also added to his national popularity. His last big hit came in 1960 with “Walkin’ to New Orleans.” By that point, Domino had accumulated 23 gold singles (500,000 or more sales per song). He left Imperial in 1963 and signed with ABC, Mercury, Reprise, and Warner Brothers Records but could not replicate his earlier success.

Although Fats Domino faded as a performer in the early 1960s, numerous later artists recognized his influence. The Beatles, for example, described him as an early inspiration for much of their 1960s music. Fats Domino continues to live in New Orleans’s Ninth Ward. Initially thought to have died during Hurricane Katrina in 2005, he and his family were rescued by a Coast Guard helicopter and taken to Baton Rouge. Domino eventually returned to New Orleans but not to his home, which was flooded. In 2006, he released “Alive and Kickin’,” a CD whose proceeds went to help indigent local musicians.

Antoine “Fats” Domino died at his home in Harvey, Louisiana, on October 24, 2017. He was 89.

+ posts
Sorry, No posts.

Popular Posts

Similar Posts

Recent Posts

Do you find this information helpful? A small donation would help us keep this available to all. Forego a bottle of soda and donate its cost to us for the information you just learned, and feel good about helping to make it available to everyone.

BlackPast.org is a 501(c)(3) non-profit and our EIN is 26-1625373. Your donation is fully tax-deductible.

CITE THIS ENTRY IN APA FORMAT:

Alexander, O. (2024, April 06). Beny Jene Primm (1928-2015). BlackPast.org.
https://www.blackpast.org/african-american-history/beny-jene-primm-1928-2015/


SOURCE OF THE AUTHOR’S INFORMATION:

“Dr. Beny J. Primm Left a Long Legacy in Medicine, Public Health, and Social Justice,”
https://vineyardgazette.com/obituaries/2015/10/29/dr-beny-j-primm-left-long-legacy-medicine-public-health-and-social-justice;
“Dr. Beny Jene Primm, MD: May 21, 1928 – Oct 16, 2015,” https://www.jfosterphillips.com/obituary/3354481;
Otis D. Alexander, (2019) Dynasty: Blacks in White Coats, (New York: Beyond the Bookcase), pp. 110, 111, 166, and 167.

Further Reading

Your Title Goes Here

Your content goes here. Edit or remove this text inline or in the module Content settings. You can also style every aspect of this content in the module Design settings and even apply custom CSS to this text in the module Advanced settings.

February 20, 2023 / Contributed by: Otis Alexander

Your Title Goes Here

Your content goes here. Edit or remove this text inline or in the module Content settings. You can also style every aspect of this content in the module Design settings and even apply custom CSS to this text in the module Advanced settings.

February 20, 2023 / Contributed by: Otis Alexander

Your Title Goes Here

Your content goes here. Edit or remove this text inline or in the module Content settings. You can also style every aspect of this content in the module Design settings and even apply custom CSS to this text in the module Advanced settings.

February 20, 2023 / Contributed by: Otis Alexander